My life
in Toronto was all about music, helping manage my old band members from Moncton
in their new band Exotic Gypsy, and finding my own band to sing with again. And
of course, hanging out backstage at concerts was all part of the fun. However, I soon tired of playing the slutty
groupie over the phone and wanted a new challenge. Since I was working closely
with bands, I wondered if a road manager or someone who had a position of power
with a large act would consider talking to me and getting me into the show in a
professional sense rather than under a sleazy pretense. It would be far less
work and research for me, plus maybe I could even learn something.
I first
tried this tactic with the band Slaughter. Their road manager was listed often
in any band details that came up so I felt he was closely tied to them and
would definitely be on tour with them. I tracked down their hotel in my usual
way and soon found myself on the phone with Scott Cadwallader.
“Hi! I
really hope I haven’t disturbed you…my name is Gill and I am an aspiring tour
manager with a local Toronto band. I looked you up in Slaughter’s liner notes
and hoped maybe you would talk to me and offer me some tips and hints on how to
get into the industry in your capacity.”
He was
really nice and responsive to me.
“Hey
there! Absolutely! I am happy to help…I’m not sure how much time I will have at
the show but why don’t you come on down to the hotel and we will have a chat
before we head out?”
This was
better than I could have hoped for! Did I hear right? Did he actually invite me
to the hotel room? Wow! I eagerly accepted, dressed in my best rock chick
business attire and made my way over to the hotel. I brought along one of my
male band friends for support too.
When we
got there he was incredibly nice and answered all sorts of my prepared
questions. It was a whole new insight into the working world of music and I
loved this new perspective. I loved being able to be me too. To make the
occasion even more exciting, a towel-clad Slaughter member ran into the room to
hide from his latest groupie guest. I got to see him beg Scott for help in
getting rid of the well-used girl and I was ever so glad not to be one of
those…even if I did play that role sometimes over the phone! That was as close
as I wanted to be to being a groupie!
Before
we left the hotel meeting, he made sure to give me enough tickets and passes
for myself and all the guys in Exotic Gypsy and some of our friends too. The
backstage that night was a better experience than I’d ever had! Scott sought me
out after the show and showed me around, made sure I had lots to eat and drink
and overall treated me more like a colleague than a mere fan. It felt great.
Depending
on the concert, I now had these two methods to choose from when trying to get
tickets and passes. I could play the professional or I could pretend to be the
pussy platter. The hard part was getting the role to correctly line up with the
band. I was not always successful at this and did fail at times.
Megadeth
seemed to me like a more serious band than the Poison-esque party type, so when
I reached their tour manager backstage at Canada’s Wonderland in the summer of
1992, I readied myself to be the consummate professional.
“Hi, I
realize you are busy right now but I was wondering if you could spare me a few
moments of your time…my name is Gill and I am an aspiring tour manager, I work
with a local Toronto band, and I wondered if you would be able to meet with me
and share some tips and insights into what you do.”
There
was a silence and then with a sneer in his voice, Megadeth’s road manager said
to me, “So Gill, Miss Aspiring Crew…you a nice girl or a naughty girl?”
I was a
bit taken aback by this question. Why was he asking me a groupie related
question when I had clearly approached him as a professional?
I
fumbled. “Um…a nice girl?”
“Mehhp!”
he made a rude noise. “Wrong answer babe! This band only likes naughty girls!”
Click.
The phone went dead. Damn! I had not been expecting that! I let that one go and
when I tried again to gain entry to a Megadeth show in Vancouver in 1993 I was
wiser and played the sexier role, but getting access to Megadeth was just not
meant to be for me. I was locked out of that one for being too sexy and told by
a road crew personnel at that time, the band were not into groupies and trying
to focus on bettering themselves. Bad timing between me and Megadeth!
Thankfully,
most rock shows I attended were far easier to work my magic on and I made it in
the door and backstage at almost any concert I tried for. Sometimes I even
changed my voice if one method didn’t work; I would simply call back later and
try the other! Sometimes I had male friends call and play up the fan angle if
nothing else was working.
My
inside scoop with Metallica never failed me though. The contact I had made with
Zach, the bass tech, allowed me to go to many great Metallica shows and be able
to share these great times with whatever friends I had at the time.
In
Toronto, in late 1991, Metallica came through town in support of their huge
Black album. They were riding the wave of their success and I was the star
amongst my circle of friends to be able to claim I had met them before and had
an inside connection for getting us all free tickets and passes. Many of my
newer friends were sceptical and thought I just fabricated a lot of stories.
People often thought this of me, until they saw the proof and I made it happen.
It was yet another reason why I worked so hard to score tickets and passes…I
always wanted to prove it to people, to show off what I could do. And I basked
in the attention and loved being able to talk the talk and walk the walk.
Metallica
played two shows in Toronto back to back that winter. I found Zach easily
enough at one of the better hotels on my list and he hooked me up for both
shows very graciously. Generously, he granted me a total of 4 tickets and
passes for both nights, enough for myself and 3 friends. But Metallica always
seemed to make me greedy. Maybe it was because I had such an easy inside track
with Zach and I needed more of a challenge. Maybe I was feeling extra cocky and
confident about what I could do. But most definitely there was a certain guy I
wanted to impress, the bass player in my current band…and I made that happen
but it almost came at a very high cost.
After
the first night’s performance I had bought a tour booklet, filled with all the
Metallica glossy pictures and information. My bass player Chris had a lot of
friends who wanted to get in to the following nights show and I was eager to
jump through any hoops he put up if it meant getting closer to him. So, looking
through the tour book, I selected several other road crew names to call at the
hotel to try and wheedle more tickets and passes out of. I would play the
groupie this time but because I was already on the list under my own name, I
decided to just use my bassist Chris’ name, since the name “Chris” could be considered
either male or female. I could score the goods pretending to be Chris the
female but when we got up to the will-call window, Chris the male would present
his I.D. to get the envelope, and the box office staff would be none the wiser.
It was a perfect plan, or so I assumed.
The
roadie I reached in his hotel room sounded drunk or stoned, or maybe both, and
extremely horny for what I was offering through the sound of my voice alone.
He
granted four passes and tickets to one very sexy Chris Sonier, the female
groupie. He would have no idea that Chris was not the woman of his dreams and
that he would not be having a bevy of eager girls on top of him later, but he
had unknowingly made my group of guy friends extremely happy!
Backstage
that night, we were all having a great time, laughing and taking photos with
Metallica. I was thrilled at how many of my friends were enjoying this with me
and loved basking in the adulation of everyone’s amazement at what I had been
able to do. Then without warning, a large, burly, tattooed, biker-esque-looking
roadie entered the room and snarled, “Hey! Listen up! Where is Chris Sonier?
Where is she? Answer me now, someone!” He was pissed! He searched all over the
room with his angry stare as Chris kept his back turned, his head down and his
face had gone white. There was an uncomfortable silence until Lars Ulrich,
Metallica’s drummer shouted to him, “Why don’t you check the bus, she’s
probably already on there and waiting for you to go give her some!” Everyone
laughed and the stormy faced roadie stomped out, slamming the door and swearing.
All of my friends exchanged raised eyebrows and smiles, but no one said
anything that might give us away. Chris looked terrified, as could be expected.
It was funny to laugh about later but no one ever let me forget that backstage
moment! Especially Chris!
Over the
years, I made many friends through the whole backstage game. Girls that I would
see time and again, became the regulars like me. Although I was the only one
who used my head to get there and not my body. But just because these girls
were your stereotypical “groupies”, and spent time on the bus with the bands,
stayed in their hotel rooms or even travelled with them in their entourages, a
lot of them were really fantastic, fun people. They laughed at my methods and
praised me for how I got what I wanted, but they honestly enjoyed the way they
did things so much that none of them were really interested in pursuing the
researched time and effort agenda that I stuck with.
I was
not a complete stranger to a tour bus though. Through groupie friends I had
spent some intimate time with the band Dangerous Toys and their management, but
that had more or less fallen into my lap. I had not aimed for that scenario and
it just came about due to the groupie girls I was in the company of. I even had
a roommate for awhile who was an extremely slutty groupie which put me off the
entire concept. Even if I was attracted to a certain member of a band, I
honestly would feel quite uncomfortable entering into a sexual romping
situation with essentially strangers. I am ruled by my head so much and tend to
overanalyse even the most comfortable encounters, especially with members of
the opposite sex, that groupie-type sex with rock stars was just not my thing.
I was more into the music and wanted to meet the bands that created the music I
loved and loved to perform myself.
So I was
totally unprepared for what happened to me at an Iron Maiden concert in
Toronto, late in the summer of 1992.
…end of
part 3
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